Here is the story behind the story which is also in the Editor's Notes at the back of the book:
The manuscript was yellowing and frayed
at the edges. Some pages had lost their anchor in the cumbersome three-ring
binder. That’s what twenty-eight years of idleness will do to a dream.
Scott first began writing The Last Apocalypse in 1983 and it
wasn’t until his second wife, Donna B., put the words to paper in typewritten
form in 1985-86 that there was hope this science fiction novel would become a
published book. Unfortunately, plans to publish the book
came to an end. So did the marriage.
In our twenty-year relationship, Scott
has asked me more than once if I’d read the book. Truth be told – I hadn’t. The
three-inch binder seemed too onerous to tackle. I intended it for a rainy day
project and there never seemed to be enough of them – until 2013.
With my retirement in 2008, came a new
found passion for teaching memoir writing, photography and an opportunity to
meet interesting and interested people. Jacqueline Martens, a student in my
memoir writing class and a whirlwind typist, agreed to take on the project of
converting Scott’s typewritten pages to digital copy. My new found friend and
fellow photographer, Vee Sawyer and her husband John Budz, agreed to assist
with the layout and publication of the book through their company, Ward Street
Press. Our talented son-in-law, Michael Hutton of Michael Hutton Design, was
very open to designing the cover for the book. All of this was done without
Scott’s knowledge, although I did have to ask him the occasional off-handed
question about some aspect of his past.
As the digital pages arrived from Jacqueline
and I began an initial editing read-through, it became apparent character
development pieces were missing, very important pieces. Some time ago, Scott
had told me about a particular part of the book that I just couldn’t find in
what I had sent Jacqueline. So the hunt began… on the backsides of the
manuscript pages. In an attempt to be economical with paper, newer iterations
of the story had been typed on the blank sides of older versions. I began
reading the manuscript’s backsides and eventually made another copy of
everything there. It was a puzzle to put together, since pages were upside
down, right side up, and in no apparent order. The missing pieces finally
emerged and an additional forty pages of manuscript were sent for digitizing.
The story was finally whole.
As I read and re-read The Last Apolcalyse, I gained a renewed
appreciation for Scott’s innate and acquired intelligence. Please remember,
this was written before being able to ‘Google’ information about any and all
subjects. Anyone who knows Scott very well will attest to his knowledge of
history, his interest in world events, and his breadth of information on just
about any subject. Ask him about his past and he will be happy to tell you of
his experiences. He is definitely a story teller, many of them – war stories.
In The
Last Apocalypse, I also marveled at his ability to create a storyline by
visualizing the scene in detail, to become the characters and to allow the
story to unfold before him. It was not surprising that his military training
and experience drove details and that his own life experiences were woven
throughout the story. Devon Everly is Scott Haverly - in large measure.
The original manuscript is still
yellowing and fraying at the edges, but finally after twenty-eight years, The Last Apocalypse is no longer just a
dream, it’s a published book.
Bonnie King-Haverly
The Last Wife
Available at
Createspace
https://www.createspace.com/4569527
and
Amazon Books
http://www.amazon.com/The-Last-Apocalypse-Scott-Haverly/dp/1494465531/
Createspace
https://www.createspace.com/4569527
and
Amazon Books
http://www.amazon.com/The-Last-Apocalypse-Scott-Haverly/dp/1494465531/
1 comment:
Amazing!
Post a Comment